Kevin Vincent: Material Memory at OMA

Kevin Vincent: Material Memory at OMA

Kevin Vincent: Material Memory at Oceanside Museum of Art 

This new exhibition will be open to the public on April 1. Special MEMBER only viewing week will be available March 25-28. Exhibit open until July 3, 2021. 

“Through the physical act of combining wood and rope to make assemblages, I explore questions surrounding memory, historical trauma, growth,  perseverance, and integration. I examine memories from my childhood to understand how my initial relationship to wood and rope, as materials, has warped over time as I learned about slavery and how these same materials were historically used to harm or instill fear. The assemblages use this historical trauma as a contact point for the two materials, addressing the violence and fear many people of color feel on a daily basis, but also showing the possibility of growth and creating a new relationship between myself and these charged materials, that  is more like that of when I was a child.”

—Kevin Vincent

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Date

Apr 01 2021
Expired!

Time

11:00 am - 5:00 pm

Location

Oceanside Museum of Art
704 Pier View Way, Oceanside, CA 92054

Organizer

Oceanside Museum of Art
Phone
(760) 435-3720
Email
katelyn@oma-online.org
Website
http://oma-online.org/attend

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Date

Apr 01 2021
Expired!

Time

11:00 am - 5:00 pm

Location

Oceanside Museum of Art
704 Pier View Way, Oceanside, CA 92054

Organizer

Oceanside Museum of Art
Phone
(760) 435-3720
Email
katelyn@oma-online.org
Website
http://oma-online.org/attend

Kevin Vincent: Material Memory at Oceanside Museum of Art 

This new exhibition will be open to the public on April 1. Special MEMBER only viewing week will be available March 25-28. Exhibit open until July 3, 2021. 

“Through the physical act of combining wood and rope to make assemblages, I explore questions surrounding memory, historical trauma, growth,  perseverance, and integration. I examine memories from my childhood to understand how my initial relationship to wood and rope, as materials, has warped over time as I learned about slavery and how these same materials were historically used to harm or instill fear. The assemblages use this historical trauma as a contact point for the two materials, addressing the violence and fear many people of color feel on a daily basis, but also showing the possibility of growth and creating a new relationship between myself and these charged materials, that  is more like that of when I was a child.”

—Kevin Vincent

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